sabato 9 gennaio 2016

ICONICITY in the Scriptures - Academia.edu

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ERNST WENDLANDERNST WENDLAND 
Stellenbosch UniversityAncient Studies, Faculty Member
The term iconicity refers to the Bible’s characteristic imagery, cultural symbols, ideal models, and conventional (generic) figures of speech. It is the discourse-level equivalent of figuration in relation to the micro-structure. The nature and purpose of the iconic features are closely related to the medium of communication in which they are typically employed for facilitating and enriching the message-transmission process. Iconicity is a quality that is normally manifested in its most dynamic and dramatic form in oral discourse designed to make a lasting impression on the minds of a...
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Julian Weiss 
Bookmarked by Cinthia María Hamlin
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Emanuele  ConteEmanuele Conte 
Roma Tre University, Rome, ItalyLaw, Faculty Member
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Mariano Pérez CarrascoMariano Pérez Carrasco 
National Scientific and Technical Research CouncilDepartamento de Filosofía, Facultad de Filosofía y Letras, Faculty Member
In 1944 Eric Voegelin published an article on Siger de Brabant, in which he argued cogently that Siger’s philosphy, by affirming the unicity and eternity of the human species – the so called “monosomatism”, – had had strong political effects. In this essay I show the parcial coincidence between Voegelin’s reading on Siger with Aquinas’. The essay focuses on Voegelin’s assumption that Siger’s work «is the first concentrated expression of man in intramundane categories».
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Luigi ProveroLuigi Provero 
Università degli Studi di TorinoStudi storici, Faculty Member
Il contributo analizza l'arazzo di Bayeux come portatore di una specifica cultura politica, di matrice monastica e condizionata dal contesto in cui l'arazzo è stato prodotto. Emerge una chiara volontà monastica di prendere le distanze da alcuni comportamenti dell'aristocrazia militare, e in particolare la convinzione che le fedeltà laiche non possano fondare una pace sociale.
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Rita KothariRita Kothari 
Indian Institute of Technology GandhinagarEnglish, Faculty Member
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hammouda Salhi 
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Glynnis FawkesGlynnis Fawkes 
University of VermontART AND ART HISTORY, Adjunct
This is an interpretation of the seventh story on the second day of Boccaccio's Decameron. Originally produced as an artist's book for an exhibition in Manchester, UK, these 70 ink and colored pencil drawings tell of the daughter of the Sultan of Babylon's shipwreck. So begins a cycle of murder and rape that carries her across the Mediterranean to a happy marriage in the end.
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Gregory DoolanGregory Doolan 
The Catholic University of AmericaPhilosophy, Faculty Member
Following Aristotle, Thomas Aquinas identifies supreme genera which he considers to be the fundamental categories both of predication and of being. Thus, like Aristotle before him, Thomas holds that these categories are studied both by the logician and by the metaphysician. In contrast to Aristotle, however, Thomas is clear that the metaphysician studies the same ten categories identified by the logician, although from the perspective of his distinct science. This article examine Aquinas's views on some of the similarities and differences in these two treatments of the categories, the...
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Ori PreussOri Preuss 
Tel Aviv UniversityHistory, Faculty Member
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